|Peaks of Destiny (1926)|
In his book Leni Riefenstahl: A Life, Jurgen Trimborn explains:
Der heilige Berg was a typical example of the constellation of Arnold Fanck's mountain epics: the male bonding of the mountain climbers triumphs over temporary temptation by a female. ...Riefenstahl plays Diotima, a ballet dancer whose life is entirely devoted to dance and to the mountains, and whose character in the film is the very personification of threatening femininity."
"Diotima dances on the stage of the Grand Hotel in Zermatt, where she captures the attention of two particular members of the audience. The two men, skiers and mountain climbers [...] are soon vying for her affection, and the film develops into a tale of jealousy that ends in the deaths of both men in the mountains. Following a bitter struggle over the woman, they plunge in the abyss, after which Diomita leaves the Alps and returns, alone and broken, to the sea."
|Leni Riefenstahl dances by the sea in the closing shot from Peaks of Destiny|
Regardless of the critical response, the film was exceptionally popular and was the first international success of Fanck's career. Capitalizing on this acclaim, Riefenstahl would go on to play the lead in Fanck's subsequent mountain epics: Der große Sprung (1927), White Hell of Pitz Palu (1929), Avalanche (1930), and White Ecstasy (1931).